Rubén Rodríguez Martínez

Rubén Rodríguez Martínez
Cárdenas, Matanzas, 1959

It is true that many Cuban artists have openly expressed in their works elements that were part of important religious secrets; likewise, ethnography has recorded and described a great number of these details. But what decision should be taken when an artist such as Rubén Rodríguez has integrated Santeria and Ifa elements in a large part of his work, in such a voluntarily discreet way that those links are hardly verifiable? Rubén Rodríguez does not speak much about his works. And much less of the relationships of his works to religious events, objects and symbols.